H tried to write a poem about the trees and his experience.
He self-consciously wanted to use italics. He knew that poets often used line
breaks and that line breaks should be an essential part of the poem. Even if it
didn’t make sense on a grammatical or sense level, the point was that a line
break communicated absence, existential dread, a hint of a connection like the
sub-conscious. Poetry was abstract, except when it wasn’t, like when someone
was writing about their first sexual experience. Then it was still abstract but
could also be direct. Also, it seemed useful to write about one’s grandmother
or relationship to food or the body, sacks of flesh.
Mornings washed-
In light
Of the same sort
That must have washed
The first of our kind
Bare
Hunched
Retreating from the green tints of the morning--
Clutching a stone and
Scrabbling into the depths of a cave
Scratching into limestone
Thin lines that become a man—
With the body of a deer
Trying, even then, to bring order to chaos.
He really didn’t understand poetry. He suspected that you
had to have a sort of mind for it, like cricket. He was fairly certain that if
he’d ever had the chance to play cricket he’d have been a legend. Life was like
that though, throwing up road blocks that prevent you from becoming the Buddha.
Overhead, a helicopter tore through the fabric of the sky, probably carrying
someone to a hospital. He tore up the piece of small paper that he’d written
the poem on and gave it to the wind. He’d thought about giving it to Lauren,
but now it was gone forever, just scraps of paper with markings that meant
nothing at all.
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